It’s been 25 years since China Miéville stepped into the literary spotlight with his novel “Perdido Street Station.”

Combining elements of science fiction, fantasy, and horror, the novel introduced readers to the fantastically complex city of New Crobuzon, filled with insect-headed khepri, cactus-shaped cactacae, and terrifying slake moths that feed on their victims’ dreams. It also sparked broader interest in what became known as the “new weird.”

After the success of “Perdido” (commemorated this year with a quickly-sold-out collector’s edition from The Folio Society), Miéville continued to meld genres in novels like “The City & the City” and “Embassytown.” But he stopped publishing fiction for nearly a decade, only to reemerge last year with The New York Times bestseller “The Book of Elsewhere,” co-written with Keanu Reeves. (Yes, that Keanu Reeves.)

Miéville is also a compelling observer and critic — of politics, of cities, of science fiction and fantasy. So while we started our conversation by discussing his breakthrough book, I also took the opportunity to ask about the relationship between science fiction and the real world, particularly what seems to be a growing tendency among tech billionaires to treat the science fiction they grew up reading as a blueprint for their future plans.

To Miéville, it’s a mistake to read science fiction as if it’s really about the future: “It’s always about now. It’s always a reflection. It’s a kind of fever dream, and it’s always about its own sociological context.”

He added that there’s a “societal and personal derangement” at work when the rich and powerful “are more interested in settling Mars than sorting out the world” — but ultimately, it’s not science fiction that’s responsible.

“Let’s not blame science fiction for this,” he said. “It’s not science fiction that’s causing this kind of sociopathy.”

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