βBaramullaβ is not spooky, it's far more unsettling than that. It doesn't deal in jump scares or shadows, but in a greater horror β the horror of separation, of losing one's identity, of being uprooted from the soil that once defined you. Manav Kaul's chilling new film on Netflix may appear, at first glance, to be a horror thriller. But it soon reveals itself as something deeper, a meditation on grief, exile, and the ghosts of a homeland long-lost.
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