In the heart of Jerusalem, within the stone walls of Confederation House, a musical homecoming is scheduled to take place. Michael Greilsammer, the violinist and songwriter who integrated the fiddle into the Israeli reggae and indie-rock scene, is preparing to unveil his most personal project to date.
Under the artistic direction of Effie Benaya, Greilsammer’s new trio show – featuring guitarist Assa Bukelman and percussionist Lidor Levy – is a sonic autobiography, a journey through technique and memory conveyed through sound.
For Greilsammer, the violin is less an instrument and more an extension of his physical presence. “I’ve been with the violin since I was five years old,” the violinist reflects, looking back on a career that now spans more than three decades of practice and performance.
“Today, I feel the violin is part of me: it is my voice. Even when we navigate through vastly different styles from different eras and cultures, the violin remains the backbone of the performance.”
This voice has traveled a significant distance, moving from the discipline of classical conservatories to the rhythmic environment of Caribbean islands. In our conversation, he describes how, in his upcoming performance on February 5, he will finally all
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