No one in pop has had a year like Addison Rae. She may not be the biggest star – that remains Taylor Swift – or even the most commercially successful breakout act. But the dreamy dance-pop haze of her debut album, Addison, made her into an artist’s artist, loved by the likes of Charli xcx and Lana Del Rey – the leftfield pop acts who paved the way for someone like her. Like a pre-Brat Charli, or perhaps Sky Ferreira, the 25-year-old is the pop connoisseur’s choice, justly earning comparisons to Del Rey, her fellow Louisiana girl Britney Spears and Ray of Light-era Madonna, while knowing her way around her R&B and Jersey club. She’s up for best new artist at next year’s Grammy awards – and with Addison and its knowingly anaesthetised single Headphones On placing in the Guardian’s top five albums and tracks of 2025 respectively, she’s our artist of the year.
So it’s crazy to flick back just two years to when Rae wasn’t just a flop, but a punchline. In 2021, she released her debut single Obsessed, a perfectly average Benny Blanco-produced single that attracted disproportionate hatred because Rae was then just a TikTok star whose breezy dance videos had made her the platform’s fifth most-followed figure. The song flopped. Two years later came the AR EP: featuring a Charli guest verse – she asked to feature on a leaked demo that she loved – it made Rae a cult favourite. Last summer, she returned the favour, guesting on a remix of Charli’s Von Dutch: “While you’re sitting in your dad’s basement … Got a lot to say about my debut!” Rae taunted.
Now, she says, she’s relieved Obsessed didn’t work out. “I wasn’t ready to stand in front of people and say what I say as concisely and straightforwardly as I am now. I’ve grown up so much in the past few years. Life happens to you at such a quick rate once you start realising how in the driver’s seat you actually are.”
View image in fullscreen Addison Rae performing New York, 3 October 2025.
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