The 50 best Arabic songs of 2025, from Flipperachi and Fadel Chaker to Nancy Ajram and Lella Fadda

It's been another vibrant year for Arabic music, with a steady run of 2025 releases spanning pop, hip-hop, indie and electronic tracks across the region, from Morocco and Egypt to Lebanon, Palestine and the Gulf.

Established stars such as Nancy Ajram, Amr Diab and Tamer Hosny delivered songs that reaffirmed their place at the centre of Arabic pop, while a new wave of exciting artists including Saint Levant, Shabjdeed and Faraj Suleiman released tracks shaped by displacement, political anxiety and personal reckoning.

Independent and alternative artists also continued to push the sound forward. From the experimental work of Nadah El Shazly and Shkoon to guitar-led releases by Postcards and Rasha Nahas, the year reflected a growing confidence in independent Arabic music that has long been bubbling away outside the mainstream pop scene.

Presented chronologically, here are 50 of the best Arabic songs released in 2025.

1. Fealan Mabyetneseesh by Tamer Hosny and Ramy Sabry (January 6)

Elissa and Saad Lamjarred's 2022 hit Min Awel Dekika demonstrated that Arab pop collaborations can work, despite their relative rarity. Perhaps the solid partnership between Egyptian pop titans Tamer Hosny and Ramy Sabry will inspire more artists to join forces in the studio.

This lush ballad fully capitalises on their respective strengths. Trading verses, both singers navigate the emotional spectrum of heartbreak, from isolation to denial, adding extra dynamism to a song that might have felt standard if recorded solo.

2. Al Harbein by Bessan Ismail (January 7)

Al Harbein is shaping up to be one of the biggest songs of the year, with more than 45 million YouTube streams in its first two months. Syrian singer Bessan Ismail captures attention with a slick, polished Arab Levant pop style and surprisingly rich, deep vocals in a song exploring the emotional weight of regret and the reflections it inevitably brings.

3. Exile by Saint Levant (January 14)

Personal identity and homeland continue to be key themes in Saint Levant’s increasingly salient body of work. Both strands feature in this pulsating single, as the Palestinian-Algerian artist strips away the anguish of being away from home and compares the predicament to a tumultuous relationship. He sings: “So tell me, where did the time go? Do you ever think of me?” Such searching questions are tempered by winningly nonchalant vocals and muted dance beats that make Exile all sound so current and cool.

4. Counting Two Lives by Faraj Suleiman (January 17)

A key piece in Palestinian singer-songwriter’s album Maryam, the plaintive track about seeking permanence in a war-torn land is especially poignant. The focus on everyday domestic comforts we often take for granted, from the scent of cooking to “the stillness of the carpet” makes this ballad even more heartbreaking.

5. Ma Nasaitak by Othman Sharari (January 20)

Saudi sheilat music has been having a moment over the past three years. These folk songs, characterised by autotuned vocals and extended verses delivered in a form of sung poetry, have amassed billions of views on YouTube. The genre thrives on themes of celebration, from weddings and mass gatherings to tribal pride, to the occasional love song. Ma Nasaitak by Othman Sharari falls into the latter category, though it steers clear of the excessive lovesick regret typical of Arab pop ballads. Instead, Sharari delivers a more resolute perspective on a fading relationship: “I've had enough of love. Oh, the misery of my heart, where is the cure?”

6. Barki Byesmaani by Ghaliaa (January 24)

After building a regional cult following with a series of beautiful stand-alone singles and last year’s Le’beh EP, Syrian singer and Abu Dhabi resident Ghaliaa is set to raise expectations even further with her coming debut album, Nafsi El Oula. Even though the lead single, Barky Byesmaani, is only two minutes long, it captures her intimate, hushed singer-songwriter style while expanding her sound with bright arrangements. An ode to personal freedom, it’s another confident step forward for the talented artist.

7. Tarat Tarat Tat by Lella Fadda (January 25)

This striking track by the Egyptian-Italian singer is a searing critique of the challenges Arab women face – whether in oppressive relationships, societal expectations or rigid gender roles. “If he hits me, it's for my own good. If he hits me, it's normal – he’s my friend,” Fadda raps in a hushed monotone, underscoring how such disturbing realities are normalised. Backed by a minimal yet hypnotic beat, with down-tuned acoustic guitar and bass, Tarat Tarat Tat is a compelling statement and an introduction to a bold new voice in the Arab indie music scene.

8. Wayak by Nada Nader and Lemhallwess (February 5)

Moroccan trap-hip-hop meets Egyptian RnB in this standout pairing between rapper Lemhallwess and singer Nada Nader. His deep, gruff raps dovetail into Nader’s sweet vocals, creating a vibe-heavy track that will have you nodding along in no time.

9. Tnkr by Wegz (February 11)

Being at the top of the game is not as glamorous as it seems, according to Wegz. The rapper, considered a leader in the hip-hop scene, turns up the intensity with a defiant track taking aim at jealous peers and the apathy of the commercial music industry to Egyptian hip-hop.

10. Argeen by Soulja (February 13)

Named after the Sudanese-Egyptian border crossing, Argeen by Sudanese rapper Soulja channels that cross-cultural journey by blending traditional North African rhythms with vocals