Georges Seurat died young. His two most famous paintings, both extremely large and innovative in their composition and technique, were completed while he was still in his mid-20s. As it was, Seurat painted approximately 45 paintings before his death, probably from diphtheria, in March 1891 when he was 31. More than half these works depict the Channel coast and sea and were completed on his summer trips between 1885 and 1890. Seurat and the Sea at the Courtauld is the first exhibition to be devoted entirely to these images. Twenty-three paintings and smaller oil studies, and three drawings hang in two rooms. It is a quietly tremendous exhibition.
Even if one takes on board the artist’s claims to science, objectivity and his adherence to theories about colour and perception which distance him from impressionism, Seurat’s paintings are peculiar and strange. Sometimes his line is very odd and stiff, yet his drawings themselves – tonal studies worked in conté crayon on textured, laid paper, are amo
Continue Reading on The Guardian
This preview shows approximately 15% of the article. Read the full story on the publisher's website to support quality journalism.