John Lennon once described Yoko Ono as “the world’s most famous unknown artist. Everybody knows her name, but nobody knows what she does.” Others were more vicious, portraying her as a family wrecker (the family being the Beatles), a cultural vandal, an Asian virus, a shrieking harridan. As ventriloquised by Paul Morley in his appallingly titled Love Magic Power Danger Bliss, they saw her as someone whose “sole reason to be on the planet was to drive them up the wall with her lack of talent and decency”. Or, only slightly more generously, a “disorganised diva channelling the assumed genius of male creators”.
Morley’s book focuses on Ono’s life and a
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